Seven reasons why women should write fantasy by Rebecca Zahari, author of The Collarbound – What We Know!

Rebecca Zahari, The Collarbound

1. So younger women cease getting offended

Once I was 12, I learn a ebook through which the primary character was a sorcerer, and there was a faculty of sorcerers, largely (solely) for boys. Later within the books, his pal turns into a knight. And the college is generally (solely) for males.

Rebecca Zahari, The Collarbound

That’s once I grew to become a author. Stuffed with righteous anger, I sat down to put in writing a narrative a few younger lady turning into a knight. I’m not the one individual to have had that urge: a lot later, I found Alanna: The Music of the Lioness by Tamora Pierce, concerning the first feminine knight of the realm. I realised ladies have been feeling pushed out of epic fantasy – swords and sorcery and magic and enjoyable – for many years.

Girls want to put in writing fantasy so that they cease getting excluded from of the narrative.

2. So we have now multiple role-model

Lately there’s been extra fantasy tales with feminine characters however, crucially, there tends to be just one lady within the story, and at all times the identical lady: the Robust One.

Now it seems like ladies are solely allowed to be one type of character in fiction, highly effective, pushed. That is partially as a result of if there’s just one lady within the story, she must be good as a result of she’s compelled to symbolize All Girls. A couple of lady, by herself in a world of males, we’d like a plethora of girls, in all their wealthy selection.

Which brings me to my subsequent level:

3. So feminine characters could be flawed

Girls have to be allowed to be flawed. We want feminine characters who’re liars, cowards, petty criminals, villains. We want mad, unhealthy and wild ladies – heroes and anti-heroes alike, we have to present women they are often who they need, in no matter approach they need, and that there’ll be a spot for them.

We have to be allowed to make errors, to fail, and to nonetheless be counted the hero of our personal story.

4. So feminine characters don’t have to adapt to a male thought of energy

And that’s one other drawback for the Robust Lady in fiction: she’s typically robust in a historically ‘masculine’ approach. She will punch tougher. She will unfold her legs and converse in curt tones and carry weights. She’s gruff and difficult.

And whereas all of that is nice, it may be limiting. If the one approach for girls to be included is that if they copy the poisonous masculinity tropes of the male heroes, what’s the purpose?

5. So feminine characters don’t must be attractive

There’s typically just one non-masculine trait allowed for robust feminine heroines: being attractive. Girls’s tales and backstories are sometimes linked to who they beloved or didn’t love, how typically they’ve or haven’t had intercourse – they’re outlined by their relationships fairly than their achievements. Are they attractive and had a lot of steamy intercourse, like Yennefer in The Witcher? Are they virgin warriors, like Brienne in Sport of Thrones? We shouldn’t have to know, or care.

Much more dangerous, in Medieval fantasy particularly, is the truth that ladies’s tales and backstories are inclined to boil right down to being raped (or, extra hardly ever, how they prevented being raped).

Let’s write narratives through which the lust folks really feel for our heroines isn’t what defines them.

6. So we battle interiorised misogyny

In fact, ladies can write sexist tales. It’s because we repeat the narratives we’re fed – therefore the significance of fixing the narrative.

Having extra ladies writing is essential; having extra ladies difficult the prevailing narrative is important.

7. So we use fantasy as a brand new approach of exploring gender

Fairly than being a inflexible, patriarchal Medieval panorama, fantasy fiction might develop into the best taking part in floor for exploring gender roles. There’s magic, in spite of everything – nothing prevents the author from making characters capable of shapeshift between genders, create species which don’t have the male/feminine dichotomy, create various worlds the place gender roles are wildly completely different from our personal.

We merely want the creativity to make our fantasy tales as wealthy as they are often.